“The Woman Who Couldn’t Scream” is a classic Christina Dodd novel. Her heroines have some handicap, yet are determined while facing adversity. They fight to take control over their lives. This installment of the Virtue Falls series brings back Kateri Kwinault, now the sheriff, who ignores her handicap of being physically disabled. The other heroine, a stand-alone character Merida Falcon, is mute after a horrific accident. Dodd fabulously weaves together these two women within a thrilling plot and a “who done it” mystery.
The plot has Merry Byrd seriously injured in an explosion that meant to kill her. She had to undergo numerous facial surgeries that changed her appearance. To get the financing she had to make a pact with the devil, a possessive old geezer who wanted her for his trophy wife. Changing her name to Helen Brassard she endured nine long years of his abusive, controlling, and manipulative ways. After he died Helen reinvents herself yet again. She disappears and remerges as the beautiful, reclusive Merida Falcon in the coastal town of Virtue Falls, WA. This tourist town has its share of killers, which preoccupies Merida’s childhood friend, the current sheriff.
“I had taken a two-week transatlantic cruise and was able to observe different personalities,” Dodd said. “I started thinking about different scenarios, including what would make someone want to become a trophy wife, having to service an old and disgusting guy. YUK! I wondered if they sought revenge, money, were being blackmailed, or wanted to escape something in their past. Merida was a close childhood friend of Kateri so I also wanted to show how they both used their past association to gain strength from each other.”
Sheriff Kateri Kwinault is trying to find a serial killer who slashes their victims to death. Besides dealing with this she is recovering from a drive-by shooting which left her needing to walk with a cane, her best friend hovering near death, a series of unexplained murders, a deranged local meth-head criminal, and a complicated love life. It is interesting how both heroines struggle to come to grips with their physical handicap, are unable to have parents that provided unconditional love, are subjected to emotional abuse, and fear that their boyfriends tried to kill them.
What Dodd does very well is allowing readers to learn more about people who are mute. They enter Merida’s world and begin to understand that not only deaf people use sign language. But people also realize that technology has considerably helped those who lost these senses. Merida introduces herself via sign language or use of a computer tablet, signing or typing, “I am mute, unable to speak. I am not deaf. Please do not shout!” This never interrupts the flow nor detracts from the plot but adds a layer of complexity to the storyline. It might also spur someone to want to learn more about the different ways of communicating with someone deaf or mute.
Merida has some mental anguish, but will not let her muteness define her. Dodd feels “people with handicaps are not broken and do not need to be fixed. They are whole people. They were put in circumstances they never dreamed of, but were able to pick themselves up. I want people to consider what it is like for someone who loses one of their senses. Most people ridiculously talk to someone in the same manner they speak with a person who does not understand their language: either raising voices or speaking very slowly. I also wanted to show how someone communicates with sign language. They can hear us, but cannot respond so they sign. Did you know you could say someone is mute, but not ‘a mute?’”
This novel blends an understanding someone’s handicap within a plot involving murder, spousal abuse, and relationships. The story is fast-paced and has high intensity with a variety of twists and turns. Readers will scream in delight!